"...to seek and to find the past, a lineage, a history, a family built on a flesh and bone foundation."

Thursday, May 24, 2012

Those Places Thursday: 'Tripping the light fantastic' in the ballrooms of Dublin

Mary and Michael on the right with friends on their way to a night of dancing.
My mom Mary is holding a box of chocolate given to her by my dad Michael.
Mom recalled this photo as taken early in 1952, a couple of months before her 21st birthday.
She was 20 years old, and they were recently engaged.
When my mom and dad, Mary and Michael, were 'courting' they often went ballroom dancing with a large group of friends. Dad used to call it 'tripping the light fantastic', a phrase popular in the 1940s, which means graceful dancing to musical accompaniment, and in the case of my parents, dancing in an especially graceful manner. According to one of Mom's sisters, they were a stunning couple on the dance floor, moving beautifully and attracting more than their fair share of attention. Their usual haunt was the Olympia Ballroom in Dublin, but they also danced at the Hotel Metropole and the famed Gresham Hotel.

I used to daydream about Mom and Dad going dancing, and imagined her dress swirling as they waltzed around the dance floor, so journey back in time with me, to those evenings when Michael brought his girl Mary out to trip the light fantastic on the dance floors in the ballrooms of Dublin City.

Mary loved to get dressed up. It took her out of the everyday world of duty and discipline that she knew at home. Mary said Michael never looked so fine as he did in his evening clothes. Everything about him was beautifully pressed and finely presented, from the top of his mass of wavy blond hair to the tip of his perfectly polished shoes. The beautiful evening wraps and fur stoles Mary wore were sometimes borrowed from older relations. The little jewelled evening bags Mary carried were usually the result of months of saving the money she earned at various jobs.

When Michael arrived at her home to pick up his girl Mary, he usually brought with him a small bouquet of flowers, or a corsage Mary would wear at her waistline or décolletage, along with a beautiful assortment of chocolates in a box wrapped with a lovely ribbon. Before he was allowed to escort her out for an evening of dancing, Michael was required to come into the Ball home at 7 pm, to pray the rosary with Mary and her family, as it was their practice to do this every evening. Stern warnings about proper behaviour followed, given to them by Aunt Alice, and then they were off to enjoy themselves.

One of Mary's favourite events was a charity ball, a dinner/dance, at the Gresham Hotel. Everyone in their group of friends pitched in as much money as they could, and they hired a car to take them to the hotel. Mary said she felt like royalty as the car pulled up in front of the Gresham. The driver opened the car door and gently took her hand to help draw her out of the car. She giggled to herself over all of the people watching them, knowing full well that she, her beau Michael, and their friends had spent their last dime to pay for the tickets to that dance and to hire that car. She loved feeling as though, for just a few minutes, their group of friends was the centre of attention that night.

After my parents and brother emigrated to Canada, and I came along, there were fewer evening soirées. There was no ballroom in the city in which they settled, and their days of tripping the light fantastic were fewer and far between. Nevertheless, anytime Mom and Dad had the opportunity to go dancing, they looked forward to it with delight.  When they did go to dances, in the early evening while Mom was getting ready, Dad would sweep me up into his arms and dance me around the room happily proclaiming, "We're off tonight, we'll be tripping the light fantastic".

Mom used to say that Dad had 'a terrible habit' of tucking her up under his arm so that she looked
as though she was tipping sideways. Mom didn't much care for this photo, but I love it.
It is 1949, Dad is 20 years old and Mom is 18. Dad looks thrilled (and maybe a little nervous) to have her on his arm.
Mom made the evening gloves she is wearing.

Mom described this dress and wrap as having very fine lace trim
 and little pearl beadwork over the floral fabric on the bodice.
The photo is actually a cut-out made to look like a fashion doll.
I have loved this photograph of Mom ever since I was a young child.

Copyright©irisheyesjg2012.

Monday, May 21, 2012

The last birthday card

When I was a child, my mother always stressed the importance of remembering birthdays. There was, she said, nothing more delightful than an acknowledgement of the day on which you were born. It was a celebration meant only for the individual in question, not a shared holiday, such as Christmas or Easter. While she enjoyed receiving gifts which had been thoughtfully chosen, above all, Mom loved receiving birthday cards. Mom said as far as she was concerned you could do away with the presents; it was the cards which were so very important to her.

On a Friday, I bought the last birthday card I will ever give to my mom. Her birthday and Mother's Day fell on the same date this year, Sunday, 13 May. After a very brief illness, Mom died on the evening of the very next day, surrounded by the family she loved.

On that Sunday, we were all there to see Mom open the cards which would mark her 81st birthday, as well as the cards for Mother's Day. Mom was wearing an oxygen mask which was helping her breathe, so she could not put on her eyeglasses. Mom was too weak to read out the verses and personal messages written inside, so I stood by the side of her bed and read them aloud to her. Tears welled up in her eyes, as I opened each card, and her lips moved in whispers as I recited the verse. She took the cards in hand, and ran her fingers over the surface of them. Some of the cards had colourful flocking or little sparkles, others had scalloped edges or ribbon. Each one delighted her in its own way.

After I read out the cards, we placed them on her window sill next to her bed, and there they stood until Mom was gone, and we had to leave the hospital, on Monday night. No more will Mom gaze upon them. She will never again read out the verses, or run her hand over the cards' crafted edges. Never again will she display them across the top of her piano, and then pack them away with all of her other birthday cards, in the small blue case Mom kept under her bed.

Never again will I go to the card shop to buy a birthday card to give to Mom, a card with a pretty cover, and a poetic verse. Never again will I see the smile come over her lips, as she reads the words of love meant only for her.

It was the last birthday card.

Mary Jane Teresa Ball Geraghty
13 May 1931 - 14 May 2012


Thursday, May 3, 2012

In the stone breakers' yard: 3 May - 12 May 1916

On this day, 3 May 1916, in the stone breakers' yard of Kilmainham Gaol Dublin, three men were executed by firing squad for their roles as leaders of the Easter Rising. The three were Padráig (Patrick) Pearse, Thomas Clarke, and Thomas MacDonagh. For many, Pearse is probably the best known of the leaders, since it was he who read the Proclamation of the Irish Republic on the steps of the General Post Office on Easter Monday 26 April 1916.

Between 3 May and 12 May 1916, fourteen men would be shot to death by firing squad in the stone breaker's yard, including James Connelly, who was so badly wounded in the Rising that he had to be strapped into a chair in order to stay upright when he was placed before the firing squad on 12 May. Death by firing squad was the sentence pronounced on these men who were tried by court martial and convicted of contravention of the Defence of the Realm Acts for leading men in rebellion against the British crown.

Whether it is that you know what has taken place here, or that the stone walls which surround it are very high, but the air within the stone breakers' yard is very still. The flag which stands within it does not flutter, and the only sound you hear is the shifting of stones beneath the feet of the visitors. It sometimes seems as though no matter when you stand in the yard, even on a sunny day, the sky overhead is grey.

Metal crosses stand at either end of the yard, each one marking the site on which the men were executed. A plaque on the wall names each man in remembrance.

The main entrance to Kilmainham Gaol

Looking up from the stone breakers' yard.

One of two crosses at either end of the yard.

The Irish Flag stilled.

The second of two crosses.

The plaque bearing the names of the leaders.

Drawn by Brigid O'Mullane (Civil war prisoner 1922-23) on her cell wall
on the Cumann na mBan floor of Kilmainham Gaol. 
Arbour Hill: The Burial site of the 1916 Leaders.

Copyright©irisheyesjg2007-2012. All Rights Reserved.
Click on photographs to view a larger version.

Monday, April 30, 2012

'To grandmother's house I go...'

When I was a young child at school, it seemed to me as though I was the only one without a grandmother, and I felt this absence keenly. Even those children who had lost their parents, somehow managed to hang on to their grandmothers. Some were being raised by them; some had their grandmothers living close by, or at most a few miles away. It was easy for them to go to grandmother's house. They could hop a bus to visit, or drive a short drive to drop by.

To skip across the schoolyard and share in the chant, 'to grandmother's house I go', was not a part of my childhood, because my grandmothers and I did not exist in the same dimension of time. My maternal grandmother died when my own mother was barely five years old, and my father's mother died almost a full decade before I came along. For me, a grandmother was someone who existed only in old photographs, was rarely spoken about, and had long ago turned to dust. The facts of the matter did not dissuade me, though. They haunted my dreams, these grandmothers, and so I made a decision.

'To grandmother's house I go...'

It is not such a long journey, once I am in Dublin. It is grandmother Mary's house I decide to visit first. On the south side of the Liffey, it is in a neighbourhood that has always sounded like magic to me, Ringsend. I travel across a stone bridge, up and over the Grand Canal, and notice the ruins of an ancient mill to my right, a spray of deep green English Ivy across a wire fence to my left. I turn one corner, and then another; the house is about half way down the street. Among the rows of smokey red brick, I spy its silken black painted door, and golden door knocker.

I find myself slightly short of breath, as I stand across from the small row house on Gordon Street. Inexplicably, I search the upper windows for any sign of her looking out. A deep pain echoes in my chest, and tears begin to stream down my face, mourning the loss of someone I never even had a hold of, 'Grandmother'. I take the word and roll it around inside my mouth, 'grandmother', 'mother grand'. It sounds like celebration. I think about the word in Irish: 'seanmháthair', 'old mother', one who is old and wise, and takes care of you. I think about the word en français: 'grand-mére', 'great mother', like something which towers over you, towers over your life.

Leaving Gordon Street behind, I take my bicycle up and over the Liffey, travelling along the quays and then north into Stoneybatter, and Grandmother Anne's childhood home, another erasure. I am drawn directly to the little cream painted cottage on Ostman Place, with its bright canary-coloured door. I run my hand along the smoothness of its plaster facade. It is cool to the touch, and somehow feels familiar. Under the shadow of the afternoon clouds, I envision her face in the window, 'Grandmother', her cheek pressed up against the cool of the glass, waiting for her brother to return, listening for the strike of his boots on the cobblestone road. The sound which never arrived.

What is it I expected to find? Did I imagine that somehow gazing upon these stone buildings, and whispering the magical word, 'Grandmother', would bring these women back to me? Doors would open wide, welcoming arms would draw me in to sit before a turf fire, to learn all of their stories, and to share mine. It is too much to bear. I climb on my bicycle and travel back down the hill toward Collins Barracks and Irish History, away from family history, and grandmother's house.

Copyright©irisheyesjg2012.

Thursday, April 26, 2012

Thankful Thursday: What made you fall in love with your family history?

What did it for you? What made you fall in love with your family history and genealogy?

Can you think of the one item or artifact that first drew you in, and had you spending hours doing research?

Was it perhaps a single conversation that sent you off in search?

Was it the discovery of an old photograph or document that put you on the path of your love affair with family history?

What made you fall in love with the history of your family?

Recently, I have been thinking about this topic all over again, and it reminded me of a post I wrote last year about what gave me my start in family history.

Today, I would like to again share that post with you, with some new edits, and ask you to think about what gave you your start in family history research, and what made you fall in love with it.

Thanks for reading.

Cheers,
Jennifer

******************************************************

One Friday night in 2011, on GeneaBloggers BlogTalkRadio, Thomas MacEntee asked us to consider this question: "Who gave you your start in Genealogy/Family History?", and further to that, "Who helped you along the way?".  On the chat board, immediately I typed in the first 'name' that popped into my head, 'my father'.  After the show I sat down and gave the question some serious thought. In my world, the history of my family is one about which my family members, particularly my parents, were often reticent to talk, but every now and then I was given brief glimpses.

If I was to pinpoint when I felt as though I was being actively encouraged to uncover our family's stories, then I would have to say it was born out of two conversations, and both of those were with my father. The first began during a very long commute, and may have been spurred on by the desire to avoid uncomfortable silences. The second was filled with detail and driven by the fact that my dad was dying.

1. The Second World War and free leather boots.

When I was in graduate school, I lived about 60 miles from the university I was attending. The commute was a long and often uncomfortable one; however, the time spent on the inter-city bus allowed me to get reading done, or grade assignments for the classes I was teaching. One semester the teaching work I was offered included a lecture session at 7:30 a.m. on Thursday mornings. Since the inter-city bus schedule didn't include a trip that would get me to the university on time, my dad very generously offered to drive me, leaving every Thursday morning at 6:00 a.m., so that I could teach the class.

Truth be told, my dad and I had not spent a lot of one on one time together as I was growing up, so at first I think each of us was a little uncomfortable with the seventy-five minute drive to the university.  Initially we talked about the weather and sports, and he talked about his work a bit, but after a while there were noticeable lags in the conversation.


Then, one day he asked me what I was working on at school. There were two things about this conversation that I remember very clearly. First, my dad began by saying, "I'm not an educated man, but would you mind telling me about what you're working on at school?".  I remember feeling a little stunned that somehow I'd made my dad feel as though he had to justify asking such a question, and I certainly didn't want him to feel that way. I talked about my belief that life offers us all sorts of education that is in many ways better than anything you might ever learn inside a classroom.  The second thing I remember about that conversation is that I didn't want to just talk about what I was doing, I wanted to know about what he had learned in life, so I started asking him a few questions. I learned so much from his answers.

One of the stories which stands out in my mind from this conversation is one in which he talked about working for the Irish version of the ARP (Air Raid Precautions) during the Second World War.  Ireland was officially neutral during this war; despite that, and given their proximity to England, the Irish government built air raid shelters, distributed gas masks, and required homes to hang black-out curtains.  When the air raid sirens sounded, it was the job of members of the ARP to go out into the streets to ensure street lights were extinguished, citizens were taking shelter, curfews were being respected, and black-out curtains were drawn so that no lights were visible.

To say I was dumbstruck by the story of my father as a 14 year old doing something so risky is an understatement. All I could say was "Wow", and then I asked him what prompted him to join, and his answer was even more astonishing.

"They gave us leather boots for free Jenn", he said. "Leather boots! We were very poor, and my whole life I wanted leather boots, and they gave them to us for free. Those boots were a thing of beauty."

I felt a catch in my throat and tears welled up in my eyes when my dad told me this, and I literally could not speak. Just then I understood that I really had no idea of the kinds of challenges my dad had faced in his life, on his way to being a successful self-made man. I was so very grateful that he thought enough of me to share this story with me.

2. A diagnosis and a map.

My father had been a smoker for a very long time, and although he had quit smoking about fifteen years before his death, it was lung cancer that was killing him. He was diagnosed with terminal cancer on the tenth day of February, and he died thirty-four days later on the sixteenth of March.

Very clearly I remember the phone call I received from my sister-in-law saying my father was ill, and I needed to go home. When I returned home I was shocked to see my father. To me, Dad was always a very powerful man, tall and imposing. He was a handsome man with a mass of blond hair, and he took pride in his appearance. Within a short time Dad had lost a lot of weight, and now looked to me like a small boy curled up tight under soft blankets.

About two weeks before he died, one afternoon my father got out of his bed and joined us downstairs for tea. His once formidable figure, which walked firm and deliberate everywhere he went, now shuffled slowly toward the room in which we were to sit. My mother followed close behind carrying the tube through which the oxygen travelled which was now helping him breathe. His slight body swam in a soft cotton shirt and corduroy pants which were now much too large for his disintegrating frame. We didn't talk about what was going on in his body; we didn't mention the 'C' word, although clearly it was growing within him with a voracious and vicious appetite.

Dad brought an old road map to the table, a tourist map really, of Dublin. His hands moved over the map pointing out places of significance: St. Stephen’s Green, the Four Courts, Trinity College, O'Connell Street. I was struck by the beauty of his hands. On the back of each, a light dusting of soft beige down covered skin which was a whitish grey colour. His nails were perfectly square and unblemished, like smooth pebbles. They looked as though they were manicured, which they were not. His hands concealed the anger at work in the rest of his body. They were peaceful, even happy, and they were willing to share.

As he pulled the map out full across the dining room table it made a lovely crinkling sound, and I felt as though I was being presented with a gift. It shoved back the plates and tea cups, the napkins and little fancy cakes that my mother had laid out — the river Liffey, Phoenix Park, Dublin Castle, The General Post Office. His hands skimmed over the poor areas of Dublin which he had known best. I didn’t know exactly why he brought that map to the table, but he was dying, and it seemed to be of irrational importance to him that I look at it. It was as if he was trying to prove that he had come from somewhere real, a place of substance.

He began to talk about his life, and as he spoke, I dug down into the bottom of my purse, found a crumpled piece of paper, and scribbled down notes about what he told me of his family. He seemed quite happy to answer any questions that I had. Throughout my life my father and I had been on opposite sides of a lot of issues, but at that moment I felt honoured that he would share his stories with me. Even though, like my mother and my brother, I didn't fully understand that he would be dead in a couple weeks, I guess a part of me knew enough to recognize how important this time was, and for that I am very grateful.

So, that is where this journey began for me, with these two conversations. My love for my family history has just grown from there. Each and every time I visit Ireland, as soon as the plane touches down on the tarmac, I whisper, "Thank you Dad, thank you for once more bringing me safely home". Each time I uncover a new piece of the puzzle I say, "thank you Dad, thank you for helping find this." Each time my dad told me any of his stories during those drives to the university, I always made sure to thank him for sharing them with me, and I thank him each and every day for guiding me on this wonderful journey of family history research.

Thanks Dad!